tubi Halloween 2018 Full Movie Stream Free


Liked It 108126 vote; User rating 7,4 of 10 Star; countries USA; Laurie Strode confronts her long-time foe Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago; John Carpenter;

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'Halloween (2018) is the belated sequel to 'Halloween (1978) that ignores 'Halloween II (1981. Halloween II (2009. Halloween (2007. too, and every 'Halloween' in-between. Look, you could write a whole think piece about why the title is bad, in fact I have, but the more important thing is the quality of the film itself. Surprisingly, it's not bad; it's not bad at all. See, where reports of the picture being a straight-up comedy that removes all reference to the main thesis of the first feature - that Michael Myers is the Boogeyman and that you can't kill the Boogeyman - had me worried and doubting its quality or even competence, the movie itself puts all those worries to rest and proves that you can't judge a book by its cover (or its bad title. All I'm saying is that every reported decision made it seem like David Gordon Green and co were taking the story in the wrong direction, especially since this is being billed as the 'true successor' to John Carpenter's 1978 classic. However, the final result is something very much in keeping with that original picture (and perhaps even its most immediate sequel, even if it's never referenced and perhaps causes a couple of issues with the new, series rewriting backstory) and it clearly has a reverence for it - though, this does occasionally lead to some 'fan service' that does seem slightly out of place. After a slightly rocky start, the piece becomes a rather compelling and enjoyable time that often makes you squirm in your seat thanks to the revamped brutality of its antagonist. Here, Michael Myers - or, The Shape - truly is a frightening foe. This is mainly because of his unrelenting, indiscriminate blood-lust and the shocking, painful way in which it is presented. He just kills anyone who gets in his path; men, women and children. The violence is shown in an impactful, gruesome and generally wince-inducing way and it almost makes you want to look away - almost. It's not like it's way too extreme, rather that it's appropriate for what's happening. When someone is hurt, you feel it; when they're killed, it's almost upsetting. Although some silly moments slip into the fray, including a particularly absurd and out-of-character kill late on, most of the carnage is certifiably nasty and it makes you dread The Shape's next inevitable deadly encounter. It's actually refreshing to see violence portrayed in this way, especially as it's always consequential and never feels like we're even close to 'rooting for' the killer (which can happen in some Slasher fare. Plus, a man with a knife really is a scary thing and this knows it; it doesn't worry about 'the inventiveness of kills' or anything like that. The only real downside to Michael's representation is that his killings come across as purely random and, while that is quite unsettling, it doesn't line up with the 'target choosing' sort of stuff we see in the first film and sometimes makes for an aimless vibe. This is especially true of the finale, in which Michael and Laurie face off, as it seems as though the former simply stumbles across the later by chance rather than fate, as is supposed to be the case (though you could argue that the two are intertwined. Still, that sequence is pretty crowd-pleasing. Speaking of Laurie, I found her character to be a rather good representation of trauma. I thought that Curtis did a good job of portraying an older, harder survivor and that the family dynamic was a rather well-conceived one. Unfortunately, it doesn't seem as though she's in it enough - or, at least, the flick doesn't focus enough on her character. Even her granddaughter doesn't get enough screen-time, and she's the second closest thing to a protagonist we get. The story in general is a bit weak, as it both follows a similar path to the original but also feels very unfocused and coincidental. There's quite a bit of odd exposition, too, and a particular plot-point which threatens to head in a direction that, if it had continued on that path, would've almost made me want to walk out. Luckily, it didn't go the way it looked as though it would and was resolved quickly enough so that it was only stupid, not movie-ruining. I'll just quickly touch on the 'comedy. While there are certainly moments that feel out of place, too long and sometimes tonally jarring, most of the humour is, in fact, just witty writing used to make you care about characters that sometimes only have one or two scenes before they meet their end at the hands of the Boogeyman. This means that, for the most part, we care about everyone killed and there aren't really any moments that are so out of touch that they take you - or, at least, me - out of a particular scene. Overall, I really enjoyed 'Halloween (2018. Even though it certainly isn't quite as good as 'Halloween (1978. it generally swaps out suspense (Michael is on-screen a lot more and he doesn't tend to stalk his victims for that long before he makes the kill) for visceral violence and I think that's the main thing that it has improved upon. I do wish we had the suspense of the first with the violence of this one, though, as that could've been a truly gruelling and scary film; one of the main issues with Carpenter's genre-defining piece is that the kills don't really hold up all that well outside of the context of the film itself (looking back, I mean. This new entry into the series isn't as tight and, while it's sometimes teeth-clenching, it's not scary. Plus, if a sequel comes along, and I suspect it will, it will severely dampen this one's ending. I had a good time with the film, though, and I was on the edge of my seat by its end. 7/10.

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